|
Thomas ÅBERG (1952) |
- |
Fanfare to Bethany Lutheran Church |
- |
Five New Miniatures |
|
(II. Miniature no. 7; III. Minature no. 8; IV. Miniature no. 9) |
- |
Postlude |
- |
Three Short Fantasy Pieces |
|
(I. Daylight; III. Pluie d'orage sur Saint Louis) |
|
|
|
Joseph AHRENS (1904-1997) |
- |
Orgelmesse |
|
(VII. Sanctus) |
|
|
|
Jehan ALAIN (1911-1940) |
- |
Petite Pièce, JA 33 |
|
|
|
Nigel ALLCOAT (1950) |
- |
Icons |
|
(II. Icon 2) |
|
|
|
Owen ALSTOTT (1947) |
- |
Eight Pieces |
|
(I. Molto grave) |
|
|
|
Andreja ANDRIĆ (1973) |
- |
Chorale X "Tað býr ein jungfrú" |
- |
Chorale XI "Árla var um morgunin" |
- |
Chorale XII "Rex cæli Domine maris undisoni" |
- |
Motetus II "Sicut cervus" |
|
|
|
Edgar ARRO (1911-1978) |
- |
Eesti rahvaviise orelile (Estonian Folk Songs for organ) |
|
(XIV) |
|
|
|
Roland Joachim AUTENRIETH (1959) |
- |
Trugbilder |
|
(IV. Vision) |
|
|
|
Paul E. BEAUDOIN (1960) |
- |
Bright shining light |
- |
Et caecitas eorum lacrimas eis efficiet |
- |
From this, becoming |
- |
Grace abounding |
|
|
|
Karen BEAUMONT (1965) |
- |
The Sound of Place |
|
(I. Appalachia; III. New York City) |
|
|
|
Denis BÉDARD (1950) |
- |
Cat Suite |
|
(II. Cats al play) |
|
|
|
Massimo BERZOLLA (1963) |
- |
Suite seriale |
|
(IV. Hochetus; VI. Elevazione; VIII. Inno) |
|
|
|
William BOLCOM (1938) |
- |
Mysteries |
|
(I. The Endless Corridor) |
|
|
|
Dante BOON (1973) |
- |
Nov. (3) |
- |
Organ Duos |
|
|
|
Federico BORSARI (1955) |
- |
Chiese dimenticate - 7 brani per organo in memoria di antiche chiese |
|
(IV. S. Michele) |
|
|
|
Theo BRANDMÜLLER (1948-2012) |
- |
7 Orgelstücke zur Passionzeit nach Reliefs von Richard Heß |
|
(III. Mater Jesu) |
|
|
|
Timothy BROEGE (1947) |
- |
Bolzano |
|
|
|
Charles CAMILLERI (1931-2009) |
- |
L'amour de Dieu |
|
|
|
Michael CANALES (1963) |
- |
Postlude in E "Homage to Bernstein" |
|
|
|
Sandro CARNELOS (1962) |
- |
Forma mentis labyrinthus |
|
|
|
Pietro CATTANEO (1998) |
- |
Adagio per voce umana |
|
|
|
Carson COOMAN (1982) |
- |
Tiento, op. 1035 |
- |
Chorale semplice (in memoriam James Pressler), op. 1054 |
- |
Conductus, op. 1066 |
- |
Three Enigmas, op. 1110 |
- |
Tambourin, op. 1118 |
- |
Preludio con ostinato, op. 1172 |
- |
Preludio festivo, op. 1175 |
- |
The Cloak with the Stars, op. 1211 |
- |
An Oasis Remembered (in memoriam Robert Allworth), op. 1213 |
- |
Sketch no. 4 "Zephyr", op. 1250 |
- |
Clockwork Aria, op. 1284 |
- |
Lighthouse Song, op. 1335 |
- |
Regen über dem Münster, op. 1338 |
- |
Meditatio Passionis, op. 1347 |
- |
Desert Marigold, op. 1365 |
- |
Memory Thread, op. 1374 |
- |
Gaudium, op. 1435 |
- |
Somnium transiens, op. 1436 |
- |
Aula parva, op. 1437 |
- |
Exaudi, op. 1445 |
- |
Inscription, op. 1464 |
- |
Vanishing Point, op. 1503 |
- |
Estuary, op. 1505 |
|
|
|
Janet CORRELL (1942) |
- |
Easter Postlude on "Handel" |
|
|
|
Yves CUENOT (1951) |
- |
Meditasons |
|
(I. Récit; II. Flûtes; III. Staccato; IV. Plenum; V. Dialogue et unisson; VI. Andante; VII. Veni Creator; VIII. Hesitasons; IX. Une Marche; X. Chant de Nazard; XI. Chant d'Anche; XII. Victimae Paschali Laudes) |
|
|
|
Gorka CUESTA (1969) |
- |
Chants |
|
(II. Le songe lointain) |
|
|
|
Villemo DANELING (1977) |
- |
Gotlandssvit |
|
(I. Vid Fårö fyr; II. Hymn vid en ruin; III. Hoburgsdans) |
|
|
|
Thomas Christian DAVID (1925-2006) |
- |
5 Orgelchoräle |
|
(II. Nun komm der Heiden Heiland; IV. Es ist ein Schnitter, heißt der Tod) |
|
|
|
Peter Maxwell DAVIES (1934-2016) |
- |
Three Voluntaries |
|
(I. Psalm 124; II. O God abufe; III. All Sons of Adam) |
|
|
|
François DELOR (1941) |
- |
Choral dans la manière de Jehan Alain |
|
|
|
Paula DIEHL (1925) |
- |
At Bay |
|
|
|
Irina DUBKOVA (1956) |
- |
Vitrages |
|
(II. Vitrage II) |
|
|
|
Patrick ELLIS (1994) |
- |
Revisited, repurposed |
|
|
|
Karlheinz ESSL (1960) |
- |
Vingt secondes |
|
|
|
Eugenio Maria FAGIANI (1972) |
- |
Nine Chorale Preludes, op. 44 |
|
(VII. Fairest Lord Jesus; VIII. Praise to the Lord, the Almighty) |
|
|
|
Rolande FALCINELLI (1920-2006) |
- |
Épure, op. 66/1 |
- |
Méandres, op. 66/2 |
|
|
|
Frank FERKO (1950) |
- |
The Hildegard Organ Cycle |
|
(V. Places of purification) |
|
|
|
Carlotta FERRARI (1975) |
- |
Africa Suite |
|
(I. Sabar; VI. Adumu; VIII. Moribayasa) |
- |
Agnello mistico |
- |
Ahimsa |
- |
An der Nordsee |
- |
Angels & Demons |
- |
Arquitectura vegetal |
- |
Capriccio del cardellino |
- |
Cristo giallo |
- |
D.E.A.TH. |
- |
Death's walk |
- |
Donna dell'Apocalisse |
- |
Forme cangianti |
- |
I Prigioni |
- |
Il picchio |
- |
La fille aux chaveux de soleil |
- |
Lied in der Dämmerung |
- |
L'isola dei vivi |
- |
Luce cinerea |
- |
Madonna rossa |
- |
Mein Himmel ist rot |
- |
Nemesis |
- |
Nodo Borromeo |
- |
Nuclear Cross |
- |
Odette |
- |
Peace is the answer |
- |
Preludio ecumenico |
- |
Profumo |
- |
Pūrvi Prelude |
- |
Russolorgano |
- |
Solen |
- |
Starting Point |
- |
The Orange Turban |
- |
Verwandlung |
|
|
|
Jean-Charles GANDRILLE (1982) |
- |
Prière |
|
|
|
Walter GATTI (1962) |
- |
Mysterium IV |
|
|
|
Matt GEER (1996) |
- |
Anima Christi |
- |
Pax vobis |
- |
The Glorious Mysteries |
- |
The Winged Ox |
- |
Things moving up and down |
|
|
|
Lester H. GROOM (1929-2000) |
- |
24 Psalm Voluntaries |
|
(IV. At the remembrance of His holiness) |
|
|
|
Naji HAKIM (1955) |
- |
Mariales |
|
(II. Pastorale) |
|
|
|
Robert HEBBLE (1934-2020) |
- |
Diptych |
|
|
|
Anton HEILLER (1923-1979) |
- |
Drei kleine Choralvorspiele |
|
(III. Mit Fried und Freud ich fahr dahin) |
|
|
|
Bernard HEYES (1951) |
- |
Dancing on the Moon |
|
|
|
Helmut HOEFT (1957) |
- |
Slow Organ |
|
|
|
Eva-Maria HOUBEN (1955) |
- |
Abhanden - Méditations sur l'orgue 12 |
- |
Drei Choräle (penser à Satie) |
- |
Finished-Unfinished |
- |
Going on |
- |
Still werden |
|
|
|
Kurt Anton HUEBER (1928-2008) |
- |
Drei kleine Orgelstücke |
|
(I. Anagramm; II. Canzone) |
|
|
|
Bertold HUMMEL (1925-2002) |
- |
Christ ist erstanden |
|
|
|
Jan JANCA (1933-2023) |
- |
Maria durch ein' Dornwald ging" (Meditation zur Adventszeit) |
|
|
|
JASHIIN (1984) |
- |
Canon |
- |
Dağılmanın Beyaz Organı |
- |
Dodecaphonic Etude no. 3 |
- |
For years, possibly |
- |
Organum |
- |
Study for an Algorithm |
- |
Suomi Jukebox |
|
(I. Joensuu - II. Kainuu - III. Tähtitornin vuori - IV. Levia Petajasaari - V. Kaarina - VI. Åbo - VII. Vihti) |
- |
Taşlar Yerine Oturmuş |
- |
Victory Fugue |
|
|
|
Richard P. JOHN (1981) |
- |
Monody |
|
|
|
Robert JONES (1945) |
- |
Birthday Suit(e) |
|
(I. Grand Choeur) |
|
|
|
Valeri KIKTA (1941) |
- |
Second Organ Suite "Orpheus", op. 21 |
|
(III. Orpheus and the melancholy shadow of Euridice) |
|
|
|
Victor KIOULAPHIDES (1961) |
- |
Ricerare a tutti i toni |
|
|
|
Dagmar KOPTEIN (1957) |
- |
Finnische Jahrenzeiten, op. 7 |
|
(I. Sommer) |
- |
Christ ist erstanden, op. 8 |
|
|
|
Liselotte KUNKEL (1975) |
- |
Swing on |
|
|
|
Dzintra KURME GEDROICA (1968) |
- |
Prelūdija "Pa Diruflē pēdām" |
|
|
|
Jouni KURONEN (1958) |
- |
God bless this marriage |
|
|
|
Gerhard LAMPERSBERG (1928-2002) |
- |
Fragt nicht, was die Nacht durchschneidet |
|
|
|
Jean LANGLAIS (1907-1991) |
- |
Vingt-Quatre Pièces, op. 6 |
|
(XVI. Choral orné) |
- |
Neuf Pièces, op. 40 |
|
(III. Chant de Paix) |
- |
Organ Book, op. 91 |
|
(X. Pasticcio) |
- |
Trois Implorations, op. 165 |
|
(III. Pour la Croyance) |
- |
Suite Baroque, op. 176 |
|
(III. Dialogue; IV. Flûtes; V. Dialogues entre le Hautbois, le Bourdon et le Nazard; VII. Grand Jeu) |
- |
Deuxième Symphonie "alla Webern", op. 195 |
|
(I. Prélude - II. Lude - III. Interlude - IV. Postlude) |
- |
Deux Pièces brèves, op. 220 |
|
(I. Brève 1; Brève 2) |
- |
Talitha Koum, op. 225 |
|
(IV. 1.7.8) |
- |
B.A.C.H., op. 229 |
|
(III. Pièce no. 3) |
- |
Douze Versets, op. 235 |
|
(II. Verset no. 2; IV. Verset no. 4) |
|
|
|
Éric LEBRUN (1967) |
- |
Au Jardin des Poètes, op. 43 |
|
(IV. Grise dans le noir; VI. Fanfare - Entracte; VIII. Au bruit de la trompette, en tous lieux dispersés; IX. Et ce temps de colère pour la dernière fois fera naître le jour) |
|
|
|
Jean-Pierre LEGUAY (1939) |
- |
Prélude XXII |
|
|
|
Hans-Martin LIMBERG (1961) |
- |
Gebet I |
|
|
|
Paweł ŁUKASZEWSKI (1968) |
- |
Chord of Light |
- |
Icon |
|
|
- |
Daniele MAGLI (1963) |
|
Apollo 11 |
|
|
|
Gabriel MARGHIERI (1964) |
- |
Six instantanés de Rome |
|
(I. Crépuscule sous les pins; III. Obelisque; IV. Escalier fleuri) |
|
|
|
Burkhard MOHR (1955) |
- |
Harmonische Kalender-Lust |
|
(I. Januar; II. Februar; III. März) |
- |
Zweite Orgelsuite mit Kurhaus-Rag |
|
(II. Ruhepunkt mit Doppelpedal) |
|
|
|
Robert NETTLESHIP (1992) |
- |
I feel like the world passes me by |
|
|
|
Andrew Charles NEWCOMBE (1970) |
- |
Mantra I |
- |
Mantra V |
- |
Mantra XI |
- |
Mantra XXI |
|
|
|
Șerban NICHIFOR (1954) |
- |
Lacrimosa - Elegy for the Romanian Greek Catholic Martyrs |
|
|
|
Olivier d'ORMESSON (1983) |
- |
Justorum animæ |
|
|
|
Thierry PALLESCO (1956) |
- |
Hommage à Couperin |
|
(I. Plein Jeu) |
- |
Prélude extatique |
- |
Prélude nostalgique |
|
|
|
Arvo PÄRT (1935) |
- |
Pari intervallo |
|
|
|
Jean-Dominique PASQUET (1951) |
- |
In Memoriam Samuel Ducommun (Psaume 130) |
|
|
|
Daniel PINKHAM (1923-2006) |
- |
Tidings |
|
(II. Tidings that echo heard; III. Tidings of Peace; IV. Tidings of a fleeting vision) |
- |
The Book of Hours |
|
(III. At Prime; IV. At Terce; V. At Sext; VI. At None; VII. At Vespers) |
- |
The Saint Luke Organ Book |
|
(I. Processional; III. A Psalm; V. Sabbath Rest) |
|
|
|
Hannu POHJANNORO (1963) |
- |
Pyhän Värit |
|
(III. Musta) |
|
|
|
Michael RADULESCU (1943-2023) |
- |
Sieben Choräle zur Passion |
|
(V. O Traurigkeit, o Herzeleid) |
|
|
|
Wolfram REHFELDT (1945) |
- |
Franziskaner-Suite |
|
(II. Pater Bartholomäus; V. Pater Werner) |
|
|
|
Alan RIDOUT (1934-1996) |
- |
The Fourteen Stations of the Cross |
|
(XI. Jesus is nailed to the Cross) |
|
|
|
Benjamin RIGHETTI (1982) |
- |
Erbarm dich mein, o Herre Gott, op. 13 |
|
|
|
John RILEY (1958) |
- |
Scottish Pipes |
|
|
|
Dean ROSENTHAL (1974) |
- |
Katama Path |
|
|
|
Justin Henry RUBIN (1971) |
- |
Before the ascent of a soul into elysian repose |
- |
Drei kleine Choralbearbeitungen |
|
(II. Christe, du Lamm Gottes) |
- |
Ostinato-Litanie |
|
|
|
Marian SAWA (1937-2005) |
- |
Preambulum |
|
|
|
Afred SCHNITTKE (1934-1998) |
- |
Two Pieces |
|
(II. Piece no. 2) |
|
|
|
Jirayr SHAHRIMANYAN (1988) |
- |
Four Bagatelles |
|
(II. Bagatelle no. 2) |
|
|
|
Howard SKEMPTON (1947) |
- |
Feuille d'album |
- |
Nature's Fire |
- |
Tribute do Wilfrid Mellers |
|
|
|
Denis SOROKIN (1985) |
- |
Nowruz |
- |
Ubrus |
|
|
|
Njål STEINSLAND (1942) |
- |
Omvendt ekko |
|
|
|
Hans-André STAMM (1958) |
- |
Occitan Impression |
|
|
|
James Michael STEVENS (1961) |
- |
Shadows neath an angry sky |
|
|
|
Boryslav STRONKO (1970) |
- |
Organ Mass |
|
(III. Gloria; VI. Crucifixus; VIII. Sanctus) |
|
|
|
Neil THORNOCK (1977) |
- |
Meditationes vitæ Christi |
|
(I. In principio erat Verbum; X. Eli Eli, lamma sabachtani?; XII. Ferebatur in cælum) |
|
|
|
Claudio VAIRA (1953) |
- |
Quattro Meditazioni |
|
(II. Et incarnatus est...) |
|
|
|
András Gábor VIRÁGH (1984) |
- |
Seven Chorale Meditations |
|
(II. Chorale Meditation no. 2) |
|
|
- |
Tomislav Ante VOÐAKOVIĆ (1996) |
- |
Ad laudem et gloriam |
- |
Amen |
- |
Augustinian Prayer |
- |
Ballade |
- |
B-F-Es |
- |
Bis |
- |
Black Death |
- |
Blood |
- |
Bloody Toccata |
- |
Briefing |
- |
Carillon noir |
- |
Capillary Depression |
- |
Capillary Elevation |
- |
Catalog |
- |
Cathedral |
- |
Cauchemar |
- |
Cemetery |
- |
Changes |
- |
Communion |
- |
Dark Monastery |
- |
Darkness of the space-time |
- |
Domine, non sum dignus ut intres sub tectum meum, sed tantum dic verbum et sanabitur anima mea |
- |
Dominican Prayer |
- |
Duration |
- |
Ein kleiner Gedanke |
- |
Elegy |
- |
End of time |
- |
Epitaph |
- |
Es chlises Rätzel (Münschter Witzli) |
- |
Eternity |
- |
Fantaisie alléluiatique |
- |
Fantaisie sur des thèmes grégoriens |
- |
Fantasy |
- |
Fin |
- |
Fresques |
- |
Fusions |
- |
Gargouilles |
- |
God is with us |
- |
Hexenhammer |
- |
Hymn to St. Bernard |
- |
Hymn to St. James |
- |
Jubilate Deo |
- |
La Croix du Nord |
- |
Laudes |
- |
Lonely Fight |
- |
Lord, do not charge them with this sin! |
- |
Mais oui! |
- |
Mea culpa! |
- |
Mel |
- |
Memento mori |
- |
Mercury |
- |
Metal Fantasy |
- |
Mystery of darkness |
- |
Nocturne |
- |
Non serviam! |
- |
Nun komm der Heiden Heiland |
- |
Ombres |
- |
Partita on the Polish Te Deum |
- |
Pastoral |
- |
Pol |
- |
Propulsions |
- |
Reliques |
- |
Segments |
- |
Sic transit gloria mundi |
- |
Signa diaboli |
- |
Sim |
- |
Sketch |
- |
Stained glass windows |
- |
Te Deum |
- |
Toccata |
- |
Town Pastoral |
- |
Vampires |
- |
Witz |
- |
Zones |
|
|
|
Mario VOLTOLINA (1922-1992) |
- |
Toccata all'antica |
|
|
|
Jan WELMERS (1937-2022) |
- |
6 Koraalvoorspelen - Advent en Kerstmis |
|
(I. Nun komm' der Heiden Heiland I) |
|
|
|
Harri WESSMAN (1949) |
- |
Musiikkia Uruille |
|
(I. Preludi) |
|
|
|
Craig S. WILLIAMS (1962) |
- |
Onward, Christian Soldiers |
|
|
|
Andreas WILLSCHER (1955) |
- |
Aquarium |
|
(IV. Seepferdchen) |
- |
Insektarium |
|
(I. Hornissen; III. Biene; V. Schnarrheuschrecke; VI. Zitronenfalter; VII. Spitzmäuschen; VIII. Trauermantel; IX. Sandflöhe; X. Waldameisen; XII. Kartoffelkäfer) |
- |
In Seven |
- |
15 Momenti francescani |
|
(VI. Bruder Wolf; VIII. Bruder Masseo) |
|
|
|
Gordon YOUNG (1919-1998) |
- |
Perpectives |
|
(V. Perpetual motion) |
|
|
|
Ilja ZELJENKA (1932-2007) |
- |
Šest Štúdií |
|
(I. Toccata) |